STATEMENT

My work lives in the tension between what is delicate and what is enduring. Through layered abstraction, I dismantle and rebuild forms and use materials like petals, fragmented found objects, pigments, chemical reactions, and textures as a way of tracing how the past continues to exist through the surfaces of the present.

I am drawn to dichotomies. I think in collisions where florals meet metal, softness lends itself to structure, and memory imagines the future.

Nostalgia is not a sentiment in my practice rather it is an architecture practice. To me, memory builds a bridge between eras to the legacies of humans before us, but most importantly asks us to dream of our own potential. In each piece, something once lost resurfaces. Something hardened softens. Something fractured begins to regrow.